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Yeni Medya Çağında Radyoların Dönüşümü

Yıl 2014, Sayı: 22, 168 - 189, 31.12.2014
https://doi.org/10.31123/akil.441962

Öz

Bilgi iletişim teknolojilerindeki ilerlemeler radyo televizyon yayıncılığı alanında büyük
değişimler başlatmıştır. Üretim, iletim ve hizmet çeşitliliği gibi ana başlıklarda toplanabilecek bu
değişimin sonucunda, geleneksel ve yeni medya ayrımı ortaya çıkmıştır. Eskiden pasif olarak
konumlandırılan izler/dinler kitle, üretim de dâhil olmak üzere yayın hizmetlerine farklı boyutlarda
katılmaktadır. Bununla birlikte yeni iletişim teknolojileri ile şekillenen yeni medya ortamları sesi,
görselliği ve yazıyı bir paket olarak kullanıcısına ulaştırabilmektedir. Böylesi bir ortamda kullandığı
analog frekansların içine sıkışmış ve de sadece işitsel hizmetler verebilen radyo yayıncılığı ya bu
değişime ayak uyduracak ya da etkinliğini kaybedecektir. Çalışmamızda, sayısal bir devrim olarak
düşünülen yeni medya çağında radyo yayıncılık alanında yaşanan değişim ve bu değişime neden
olan gelişmeler ele alınmıştır.

Kaynakça

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  • Baker, A. J. (2009). “Comparing the Regulatory Models of Net-Radio with Traditional Radio.” International Journal of Emerging Technologies and Society. 7(1): 1-14.
  • Baker, A. J. (2011). “College Student Net-Radio Audiences: A Transnational Perspective.” The Radio Journal: International Studies in Broadcast and Audio Media. 8(2): 121-139.
  • Baltzis, A. ve Barboutis, C. (2013). “Doubt is in the Air. Modeling the Comparison Between Traditional and Web Casting Radio on the Greek Case.” Journal of Radio & Audio Media. 20(1): 53-67.
  • Beer, D. (2007). “Tune Out: Music, Soundscapes And The Urban Mise-En-Scène.” Information, Communication and Society. 10(6): 846-866.
  • Bull, M. (2007). Sound Moves: iPod Culture and Urban Experience. London: Routledge. Carlin, T. (2006). “Digital Audio.” Communication Technology Update 10th Edition. A. E. Grant ve J. H. Meadows (der.) içinde. Oxford: Focal Press. 235-257.
  • Church, K., Weight, J., Berry, M., MacDonald, H. (2010). “At Home With Media Technology.” Home Cultures. 7(3): 263-286.
  • Cordeiro, P. (2012). “Radio Becoming R@Dio: Convergence, Interactivity And Broadcasting Trends In Perspective.” Participations Journal Of Audience & Reception Studies. 9(2): 492-510.
  • Curien, N. ve Moreau, F. (2009). “The Music Industry in the Digital Era: Toward New Contracts.” Journal of Media Economics. 22(2): 102-113.
  • Edison Research (2014a). “The Infinite Dial, 2014.” http://www.edisonresearch.com/the-infinite-dial-2014/. Erişim tarihi: 5.7.2014.
  • Edison Research (2014b). “Share Of Ear.” http://www.edisonresearch.com/?s=share+of+ear. Erişim tarihi: 5.7.2014.
  • Featherly, K. (2002). “Streaming Media.” Encyclopedia of New Media. S. Jones (der.) içinde. Sage Publications. http://sage-ereference.com/newmedia/Article_n222.html.
  • Ferguson, D. A., Greer, C. F. (2011). “Local Radio and Microblogging: How Radio Stations in the U.S. are Using Twitter.” Journal of Radio & Audio Media. 18(1): 33-46.
  • Ferraretto, L. A., Kischinhevsky, M., Lopez, D. C., Junior, A. B., Klöckner, L., Freire, M. ve Prata, N. (2011). “The Use Of Radio By Brazilian Teenagers And The Process Of Digital Convergence.” Journal of Radio & Audio Media. 18(2): 381-396.
  • Free, D. (2005). ‘New Radio- A Turn On For Young Adults And A Turn Off From AM and FM’, The Annual Conference of The Association of Journalism And Mass Communication, San Antonio, Texas. http://list.msu. edu/cgi-bin/wa?A3=ind0602b&L=AEJMC&E=8bit&P=364220&B=--&T=text%2Fplain;%20charset=iso-8859-1. Erişim tarihi: 03.7.2014.
  • Freire, A. M. (2008). “Remediating Radio:Audio Streaming, Music Recommendation and The Discourse Of Radioness.” The Radio Journal International Studies in Broadcast and Audio Media. 5(2-3): 97-112.
  • Gluth, M. (2010). Digital Division: Levies As An Alternative To Traditional Copyright Enforcement Mechanisms. Faulkner Law Review. 2 (1): 111-144.
  • Hacker, S. (2000). MP3: The Definitive Guide. O’Reilly Media.
  • Halavais, A. (2007). “Convergence.” Encyclopedia of New Media. S. Jones (der.) içinde. Sage Publications.
  • Hendy, D. (2000). “A Political Economy of Radio In The Digital Age.” Journal of Radio Studies. 7(1): 213-234.
  • Hogg, N. ve Jackson, T. (2008). “Digital Media and Dematerialization An Exploration of the Potential for Reduced Material Intensity in Music Delivery.” Journal of Industrial Ecology. 13(1): 127-146.
  • Holmes, D. (2009). “New Media Theory.” Encyclopedia of Communication Theory. S. W. Littlejohn ve K. A. Foss (der.) içinde. California : SAGE Publications. 684-687.
  • IFPI (2003). “The Recording Industry Commercial Piracy Report.” http://www.ifpi.org/content/library/piracy2003. pdf. Erişim tarihi: 6.8.2014.
  • Johnson, K. (2012). “Audience Use of New Media Technologies on NPR.org.” Journal of Radio & Audio Media. 19(1): 17-32.
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  • Lax, S., Ala-Fossi, M., Jauert, P. ve Shaw, H. (2008). “DAB: The Future Of Radio? The Development Of Digital Radio In Four European Countries.” Media, Culture & Society. 30(2): 151-166.
  • Lin, C. A. (2009). “Exploring the Online Radio Adoption Decision-Making Process: Cognition, Attitude and Technology Fluidity.” Journalism & Mass Communication Quarterly. 86(4): 884-899.
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  • Menduni, E. (2007). “Four Steps In Innovative Radio Broadcasting: From Quicktime To Podcasting.” Radio Journal: International Studies in Broadcast & Audio Media. 5(1): 9-18.
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  • Moreno, E., Martínez-Costa, P. ve Amoedo, A. (2009). “Radio and the Web: Communication Strategies of Spanish Radio Networks on the Web (2006-2008).” Observatorio (OBS*) Journal. 10: 121-137.
  • Nyre, L. ve Ala-Fossi, M. (2008). “The Next Generation Platform: Comparing Audience Registration and Participation in Digital Sound Media.” Journal of Radio & Audio Media. 15(1): 41-58.
  • O’Neill, B. (2007). “Digital Audio Broadcasting in Canada: Technology and Policy in the Transition to Digital Radio.” Canadian Journal of Communication. 32: 71-90.
  • O’Neill, B. (2009). “DAB Eureka-147: A European Vision For Digital Radio.” New Media Society. 11(1&2): 261- 278.
  • Özel, S. (2011). “Yakınsama Yeni Medyanın İtici Gücü.” Erciyes İletişim Dergisi Akademia. 2(2): 54-66. Pitts, G. (2006). “Radio Broadcasting.” Communication Technology Update 10th. Edition. A. E. Grant ve J. H. Meadows (der.) içinde. Oxford: Focal Press. 139-154.
  • Potter, R. F. (2002). “Give the People What They Want: A Content Analysis of FM Radio Station Home Pages.” Journal of Broadcasting & Electronic Media. 46(3): 369-384.
  • Priestman, C. (2013). Web Radio, Radio Production For Internet Streaming. New York: Focal Press. Ren, W. ve Chan-Olmsted, S. M. (2004). “Radio Content On The World Wide Web: Comparing Streaming Radio Stations In The United States.” Journal of Radio Studies. 11(1): 6-25.
  • RIAA “New Data Show Napster Hurt Sales” http://abcnews.go.com/Technology/story?id=98801&page=2. Erişim tarihi: 17.7.2014.
  • Rooke, B. ve Odame, H. H. (2013). “I Have to Blog a Blog Too? Radio Jocks and Online Blogging.” Journal of Radio & Audio Media. 20(1): 35-52.
  • Rutter, J. (2010). “Consumers, Crime And The Downloading Of Music.” Prometheus. 28(4): 411-418.
  • Seelig, M. (2008). “Interactivity on Traditional Media Web Sites.” Journal of Radio & Audio Media. 15(2): 231- 248.
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  • Stockment, A. (2009). “Internet Radio: The Case for a Technology Neutral Royalty Standard.” Virginia Law Review. 95(8): 2129-2179. http://www.jstor.org/stable/27759978
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Toplam 49 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular İletişim ve Medya Çalışmaları
Bölüm Makaleler
Yazarlar

Sedat Özel

Yayımlanma Tarihi 31 Aralık 2014
Gönderilme Tarihi 9 Temmuz 2018
Yayımlandığı Sayı Yıl 2014 Sayı: 22

Kaynak Göster

APA Özel, S. (2014). Yeni Medya Çağında Radyoların Dönüşümü. Akdeniz Üniversitesi İletişim Fakültesi Dergisi(22), 168-189. https://doi.org/10.31123/akil.441962